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・ Sir Hart Davis
・ Sir Hart-Davis
・ Sir Haydn
・ Sir Haydn (locomotive)
・ Sir Hector Maclean
・ Sir Hector Maclean, 2nd Baronet
・ Sir Hector Maclean, 5th Baronet
・ Sir Hector Maclean, 7th Baronet
・ Sir Hector Munro, 11th Baronet
・ Sir Hector Munro, 1st Baronet
・ Sir Hector Munro, 2nd Baronet
・ Sir Hector Og Maclean, 15th Chief
・ Sir Hedworth Williamson, 7th Baronet
・ Sir Hedworth Williamson, 8th Baronet
・ Sir Henry and his Butlers
Sir Henry at N'didi’s Kraal
・ Sir Henry at Rawlinson End
・ Sir Henry at Rawlinson End (film)
・ Sir Henry at Rawlinson End (recording)
・ Sir Henry Aubrey-Fletcher, 4th Baronet
・ Sir Henry Aubrey-Fletcher, 6th Baronet
・ Sir Henry Aubrey-Fletcher, 8th Baronet
・ Sir Henry Baker, 2nd Baronet
・ Sir Henry Bard's regiment of Foote
・ Sir Henry Barron, 1st Baronet
・ Sir Henry Beaumont, 2nd Baronet
・ Sir Henry Belasyse, 1st Baronet
・ Sir Henry Bellingham, 1st Baronet
・ Sir Henry Bellingham, 4th Baronet
・ Sir Henry Beyer Robertson


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Sir Henry at N'didi’s Kraal : ウィキペディア英語版
Sir Henry at N'didi’s Kraal

''Sir Henry at N'didi’s Kraal'' is the fourth and final solo album by Vivian Stanshall. It is a return to the largely spoken-word, solo comedy format of Stanshall's second album ''Sir Henry at Rawlinson End'' and is a sequel to the same work.
==Background==

''Sir Henry at N'didi’s Kraal'' continues the story of the dissolute aristocrat and explorer Sir Henry Rawlinson, this time dealing with his attempts on behalf of the "Geographic Society" to locate a lost tribe of Zulus in South Africa. In contrast to ''Sir Henry at Rawlinson End'', it is almost entirely spoken word, with only one song included. The album is predominantly a parody of the colonial manners and attitudes of the British Empire, using Sir Henry as a mouthpiece for various ridiculous and sometimes racist philosophies which Stanshall could spoof. It has been described as "a contradictory mix of Sir Henry's belief in racial superiority and (Stanshall's) genuine affection for African culture."
The album was recorded at a low point in Stanshall's life following his separation from his second wife Ki Longfellow and their young family, during which he was suffering from severe alcohol and prescription medicine abuse. Stanshall was unhappy with the album's unpolished content, editing and low production values and subsequently disowned it. The producer, Glen Colson, has defended the release and his own work on it by protesting that Stanshall's depressed and intoxicated state diminished his creative input and that Colson himself was obliged to finish the album as best he could.〔
Although Stanshall would continue to produce one-off recordings, advertisements and the comic opera ''Stinkfoot'', ''Sir Henry at N'didi’s Kraal'' would be his final album.

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